News
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Four works selected for the Ing Discerning Eye 2020. Opens Thursday 19 November closes Thursday 31 December. One work was selected by Dale Lewis, David Remfry RA, Mercyn Metcalf and Beverley Knight, each. |
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Selected for the RWE Open 2020 Royal West of England Academy. The 168th annual Open Exhibition. 21 November to 7th March 2021. Royal West of England Academy, Queen’s Road, Clifton Bristol BS8 1PX Entry fee from Free to £7.95 |
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Selected for The Sunday Times Watercolour Competition 2020
EXHIBITION & TOUR 28th October 2020 – 16th January 2021 Willis Museum and Sainsbury Gallery Market Place, Basingstoke, RG21 7QD February 2021 Mall Galleries, London |
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Burdock was one of Art lawyer, curator and collector’s, Jon Sharpel’s top picks in The Just Show. Here he gives us his thoughts.
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Selected. The Wales Contemporary / Cymru Gyfoes exhibition will be opened on 6th November by Lord Dafydd Elis-Thomas at Waterfront Gallery, Milford Haven, Wales, SA73 3AF (12 – 30 December 2020) and then travels to the Oxo Gallery, London (25 February – 7 March 2021).
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Selected for the Prize 2020 Exhibition Royal Birmingham Society of Artists. 8 October - 16 January 2021 Galleries 1 and 2 |
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Recipient - Arts Council Grant |
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Shortlisted for The Sir John Hurt Art Prize, Holt Festival, Norfolk, 2020 |
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Article September/October 2020 issue The Jackdaw Magazine. http://www.thejackdaw.co.uk/
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Babylon Summer Open Exhibition 1st August - 6th September Babylon Gallery, Ely, Cambs |
The Just - group show - curated by Dan Coombs - August - 15 October - Aleph Contemporary
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New English Art Club Annual Exhibition December 2020 at Mall Galleries |
Politics, Sex and Religion - solo show - Aleph Contemporary 16th July - 3rd August 2020
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Curtain Twitching selected for Impact Show - Chaiya Art Awards
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‘In The Club’ selected for the Beep Contemporary International Painting Prize 2020. 2nd Oct - 7th November.
Elysium gallery, 210 High Street, Swansea, Wales 
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Selected Royal Scottish Academy Annual Exhibition 2020.
The Annual Exhibition is the core of the RSA’s exhibition programme, and represents the Academy’s commitment to promoting excellence in visual art in Scotland. In light of the current extraordinary circumstances, the RSA team has been working hard to ensure that the exhibition goes ahead in a new, entirely digital format. The exhibition is available to view entirely online, with accompanying detailed commentary from exhibiting artists. The RSA Annual Exhibition is the most extensive exhibition of contemporary art and architecture in Scotland. Having been a mainstay of the academy's calendar since its inception 193 years ago, the Annual Exhibition has evolved over the years, providing a platform for Scottish art alongside international artists, often including topical or political elements, to give an uncensored, independent voice to artists. |
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1-30 April, selected, Bos Gallery, Dublin
RELATIONSHIPS: an artist’s perspective 1st - 30th April |
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Selected for the Chaiya Art Awards Exhibition, 10 - 19 April, Oxo Gallery, Oxo Tower, London POSTPONED Covid19
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C24 Gallery - New York - ‘The Seventh View’
 Photo- Regina Urazayeva, courtesy of C24 Gallery
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Photo- Regina Urazayeva, courtesy of C24 Gallery
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“Lipstick” has been selected by the Royal Society of British Artists 303rd Annual Exhibition 2020
Thursday 20 to Saturday 29 February
Mall Galleries, The Mall, London SW1
This painting refers to the Brexit ‘deal’. Referencing the eulogising, the repudiating and political intrigue of the past three years. Based on Soviet propaganda imagery.
Thursday 20 to Saturday 29 February
Mall Galleries, The Mall, London SW1
This painting refers to the Brexit ‘deal’. Referencing the eulogising, the repudiating and political intrigue of the past three years. Based on Soviet propaganda imagery.
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In September 2019 Burdock won The John Purcell Paper Award at The Bolton Museum Neo:artprize Exhibition.
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“Birds” has been selected for the ING DIiscerning Eye by Kwame Kwai-Armah at Mall Galleries, London SW1 - 14 - 24 November 2019
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Two works have been chosen for the WALES CONTEMPORARY 2019
Waterfront Gallery, Milford Haven, Wales, SA73 3AF (4 – 30 October 2019) and at Mall Galleries, London, SW1 (5 – 10 November 2019). |
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‘Suspended’ has been selected for the Neo:ArtPrize 2019 - Bolton Museum and Art Gallery show on 7th September - 27th October Bolton Museum Gallery Le Mans Crescent Bolton BL1 1SE
Gallery opening times: Mon, Tues, Thurs, Fri & Sat 9-5pm Wed 9:30-5pm Sun 10-4pm |
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‘Who has seen the wind?’ Chosen for the Wells Art Contemporary Open 2019 The exhibition will be open to the public from the 20 July - 11 August 2019. |
‘Virtue Signalling’
selected by Brian Griffiths
CREEKSIDE OPEN 2019
9th May - 2nd June
Exhibition opens
Thursday to Sunday 12 noon to 5pm
Burdock's exhibition at House of Illustration is on ‘THE APPRENTICE’ Copyright BBC The Apprentice
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4B: Contemporary Approaches to Drawing - 29 September - 10 November 2018
4B explores drawing through the practices of 4 contemporary artists. It features the work of Jeanette Barnes, Christy Burdock and Meghana Bisineer, alongside the Autobiographical Series of prints and 11 Drypoints by Louise Bourgeois on loan from Hayward Touring. Drawing is fundamental for each of these artists. They harness its direct link between mind and mark to convey their thoughts and feelings and each is concerned with the possibilities of drawing to convey narrative. However, the ways in which they do so vary widely in terms of scale, material and subject matter. The exhibition features work by Christy Burdock created during her recent residency at the House of Illustration and Meghana Bisineer’s animation Light, Water, Glass, inspired by TS Eliot’s poem The Waste Land and drawn on the windows of the Royal Festival Hall in London. And, from very large scale, dynamic, charcoal drawings of the city in flux by Barnes to Bourgeois’ intimate portrayal of her memories, dreams and fears, each artist uses drawing to blur the boundaries between the observed and imaginary. A Haywards Gallery Touring Exhibition from Southbank Centre, London |
May 2018 Sacha Craddock who works at the forefront of contemporary art in the UK and internationally. Last year she curated the Turner Prize and she speaks frequently on current issues in contemporary art for galleries, museums and institutions. Sacha also co-founded Bloomberg Space and was its curator from 2002-2011. She has been Chair of the Board of New Contemporaries and selection process since 1996, as well as selecting for both the Turner Prize and the John Moores Prize.
In conversation with Sacha Craddock, Christy will talk us through the six months she's spent in residence at HoI, and a working process which involves close observation of a group followed by visual interpretation of the people and patterns she sees. She will discuss the ethical considerations involved in this process and will explain how she incorporates motifs and archetypes from art history to emphasise her observations.
In conversation with Sacha Craddock, Christy will talk us through the six months she's spent in residence at HoI, and a working process which involves close observation of a group followed by visual interpretation of the people and patterns she sees. She will discuss the ethical considerations involved in this process and will explain how she incorporates motifs and archetypes from art history to emphasise her observations.
Olivia Ahmad, Emily Jost, Christy Burdock, Lucinda Rogers - photograph copyright Lucinda Rogers.
Burdock and her subjects at HoI.
HoI Artist in residence - exhibition 28 March to 8 July
Christy Burdock: “I was utterly delighted to have been chosen for the residency, the opportunity to make, test and show, a new body of work responding to an institution with such a unique remit is a rare opportunity and a privilege.”
The judges – curator Olivia Ahmad, Eye Magazine editor John Walters and Nous Vous Collective – said:
From a field of outstanding candidates, we are delighted to have awarded HoI residency to Christy Burdock. We were struck by Christy’s intrepid and sensitive explorations of closed communities and her drawn accounts that layer observation, memory and metaphor. For the next six months, Christy will immerse herself in the ‘micro-societies’ emerging from HOI – we very much look forward to the outcome.
From a field of outstanding candidates, we are delighted to have awarded HoI residency to Christy Burdock. We were struck by Christy’s intrepid and sensitive explorations of closed communities and her drawn accounts that layer observation, memory and metaphor. For the next six months, Christy will immerse herself in the ‘micro-societies’ emerging from HOI – we very much look forward to the outcome.
“National touring exhibition ‘New Contemporaries’ will no doubt further extend BALTIC 39’s reputation for showcasing the best in emerging UK-based artists when it shares the exhibition of the high-profile platform with the Baltic later this month.
Selected by artists Caroline Achaintre, Elizabeth Price, and George Shaw, the Bloomberg New Contemporaries 2017 category offers a showcase of work by the finest contemporary artists in the UK today including Calum Bowden, Eleanor Breeze, Christy Burdock and Robbie Campbell.
With past alumni including significant post-war figures such as Frank Auerbach and Paula Rego; pop artists including Patrick Caulfield and David Hockney; and decade-defining Damien Hirst and Gillian Wearing, New Contemporaries has gained a reputation for unearthing today’s finest artists and showcasing their work at an early stage of their development.” Damian Robinson
Selected by artists Caroline Achaintre, Elizabeth Price, and George Shaw, the Bloomberg New Contemporaries 2017 category offers a showcase of work by the finest contemporary artists in the UK today including Calum Bowden, Eleanor Breeze, Christy Burdock and Robbie Campbell.
With past alumni including significant post-war figures such as Frank Auerbach and Paula Rego; pop artists including Patrick Caulfield and David Hockney; and decade-defining Damien Hirst and Gillian Wearing, New Contemporaries has gained a reputation for unearthing today’s finest artists and showcasing their work at an early stage of their development.” Damian Robinson
